All tagged I Love My Wife
This might seem like a ridiculous subject for a piece about Broadway showtunes, but the more I thought about it, the more fascinated I became by the subject. In songwriting, there is no copyright on titles, so titles can repeat. I can sit down and write a song about Broadway and remembering fondly, then title it “Give My Regards to Broadway.” As long as the music and lyrics are different, it is perfectly acceptable (and legal) to do so. This got me thinking: what showtunes are there that share the same title? It turns out, there are several. Here is a sampling of some that I found.
It is always an honor to sit down and chat with Broadway’s finest talent, but it is especially exciting when the opportunity to interview the performer you have most admired over the years, presents itself. Last week, I had the career-high of spending some time with Joanna Gleason, Tony winner for her turn as The Baker’s Wife in the original Broadway production of Stephen Sondheim’s and James Lapine’s Into the Woods. I have always admired Ms. Gleason’s ability to mine her roles for humor and heart, bringing unexpected surprises to each character she develops.
I have written with great awe about how amazed I am by the eclecticism of Cy Coleman as a Broadway composer. He always finds an original sound for each musical he writes, capturing the perfect tone for the material. Since I am an enormous fan of Coleman and his body of Broadway work, I decided to rank the ten best of his musicals, from my least favorite to my favorite, commenting on some of my favorite songs along the way. I hope you enjoy reading this as much as I enjoyed writing it.
Broadway composers tend to settle into a style that is distinctly their own. We know a Stephen Sondheim score when we hear it. Andrew Lloyd Webber, the same. In fact, many people cling to the familiarity of a Broadway composer’s style, knowing that attending their latest show will hopefully yield something new and familiar at the same time. We can almost count on this result, and why not? Each composer is unique and cultivates their own sound with each new show that they write. There was, however, one musical theatre composer who reinvented his voice several times over throughout his career, so it is much harder to pinpoint what his style exactly is. Working with a variety of musical styles, and a wide-range of writing partners, each score he touched sounded like he reimagined his talents to best capture the musical world at hand. This is the eclectic brilliance of composer Cy Coleman.