All tagged The Unsinkable Molly Brown

The Best Musical Tony Award Debate: 1961

1961 was an interesting year in Tony history for a couple of reasons. First, it was a year where there were only three Best Musical nominees instead of four, and second because there were plenty of shows that could have filled a fourth category, but were left out of the running. The nominees that year were Bye Bye BirdeDo Re Mi, and Irma La Douce, with Bye Bye Birdie ultimately taking home the Best Musical prize. For this week’s installment, I am going to do things a little differently. After looking at the three nominees, I want to take a minute to examine a couple of shows that should have qualified, but somehow didn’t make the final cut. 

Remembering Here’s Love

Meredith Willson gave us one big Broadway smash hit with The Music Man, one modest hit with The Unsinkable Molly Brown, and one critical failure with the musical Here’s Love. For a man who wrote so adeptly about parades and an unlikely romance between two stubborn individuals in The Music Man, Willson seemed like an ideal choice for bringing the classic holiday film Miracle on 34th Street to the musical stage. Here’s Love was that attempt, but the show failed to ignite on Broadway lasting a serviceable (if lackluster) 334 performances. Not exactly a disaster, but this was a time when the big hits were running well over 1,000 performances. The show opened on October 3, 1963, a little over a month before the assassination of John F. Kennedy, which may have led to a slump in ticket sales as Broadway as a whole experienced a weak fall and winter that season. Nevertheless, Here’s Love cannot blame all of its shortcomings on the bad timing of its opening. 

Broadway "Marches" in Like a Lion

With the month of March just around the corner, I thought it would be fun to discuss Broadway showtunes that follow a "march" rhythm. These are the songs that put a little pep into your step, getting you to lift those knees up high and to puff out your chest. Marches can be regal, and marches can be celebratory. They can be patriotic, perky, jaunty, and most of all, fun. Here are some of my favorite marches from Broadway musicals.