All tagged Joanna Gleason
It is always an honor to sit down and chat with Broadway’s finest talent, but it is especially exciting when the opportunity to interview the performer you have most admired over the years, presents itself. Last week, I had the career-high of spending some time with Joanna Gleason, Tony winner for her turn as The Baker’s Wife in the original Broadway production of Stephen Sondheim’s and James Lapine’s Into the Woods. I have always admired Ms. Gleason’s ability to mine her roles for humor and heart, bringing unexpected surprises to each character she develops.
Last week, I wrote a piece about Broadway divas who showed exemplary acting skills. It got me thinking about some of our greatest living actresses of the musical stage and what classic musical theatre role I would most like to see them tackle next. Playing casting director is always a great deal of fun, and I hope you will chime in with your thoughts as well. For me, this is where I'd like to see some of our favorite leading ladies of the stage try their talents.
Broadway musical divas: we live for them. From their signature looks to their distinctive voices, over the last century, Broadway audiences have been drawn to their talents and their energy. To be a Broadway diva is a special thing, but not every member of this exclusive club has necessarily been known for their acting chops. It is especially exhilarating to witness one who has the nuance and variety to create an indelible performance that is based in the craft of acting. In these cases, their interpretations bring rich texture to the music and three dimensional characters emerge as memorable and relatable. Today’s column is a tribute to the finest among out divas, the ones who move outside of the realm of performer and enter the world of legend.
Coming off their Pulitzer Prize-winning artistic success of Sunday in the Park with George, composer-lyricist Stephen Sondheim and book writer/director James Lapine would turn their eyes to the world of fairy tales for their next Broadway musical. This would not be the Disney world of fairy tales with altruistic magic and happy-ever-afters giving us warm fuzzies. No, this musical would delve into the deep and dark psychologies of fairy tales, exploring the grimmest of Grimm fairy tales, violence in tact, but moral ambiguity in question. The result would be the now-classic Into the Woods.