Rarely do I see a show more than twice. Usually, two-times is sufficient for me to drink in its music, its characterizations, its staging and its score. The Roundabout Theatre Company’s Off-Broadway revival of The Robber Bridegroom is one of the rare times where I returned to a show, again and again, delighted each time by something new or that I had missed the first time around. In all, I saw The Robber Bridegroom seven times before the production shuttered at the Laura Pels Theatre. Now, we have a new cast recording courtesy of Ghostlight Records and it has made me fall in love with the production all over again