In writing about these the Tony-nominated Best Musicals of various seasons and making a judgment as to which nominee deserved to win, I take full ownership of my opinion and realize that many of you will disagree. In fact, I invite the debate and am always interested in hearing your opinions as well. Theatre is obviously subjective, and what appeals to me might invite disdain from you. Contrarily, what I detest might be something you are passionate about. When I write these pieces, I do try to keep by opinions balanced, supported with reasoning, while trying to find that good and the challenging in each musical I dissect. That being said, I often find myself at odds with my own determinations, loving one show more, respecting another, while ultimately conceding that yet another deserved to win. 1987, which featured Les Misérables, Rags, Starlight Express, and Me and My Girl as the Best Musical nominees, is a year that leaves me so divided, as each of them offered something very different and each excelled in very different ways.